Photography Collection

Zelda Cheatle, a gallery owner from London, is going to have her biggest deal at the end of August. She is going to sell 4000 photographs, reports Julia Werdigier from the New York Times. Among those pictures is a photo of Pablo Picasso by Brassai or a print of Malcolm X by Eve Arnold. But this deal has nothing to do with Cheatle's gallery. It is intiated by a photography investment fund that she manages set up by the hedge fund WMG in London. Some investors spent the money to buy the pictures and hope for good returns. Photography and art is no more an exotic investment since the auction prices increase as much as during the past ten years.

Conceptual Paradise is a fulllength documentation on three generations of conceptual artists. You can watch a trailer on Youtube. The Gallery f5,6 based in Munich, Germany, Ludwigstrasse 7, is going to show the film on Friday, 20 July, from 6:30 to 9 p.m. and on Saturday 21 July from 11 a.m. to 3 p.m..

In three years of filmic research, the artist and author Stefan Römer has interviewed numerous outstanding international artists with his film team. In engaging in intellectual exchanges before the camera, Stefan Römer is able to develop a special filmic mode of reflecting on the state of international contemporary art.

The film essay »Conceptual Paradise: There Is a Place for Sophistication« traces out the debates that allowed the intellectual art movement of Conceptual art to emerge in the 1960s and led to the most relevant questions in art today. The artists speak about their own artistic practices and the socio-historical development of the various conceptual movements. In so doing, it becomes clear that there can be no one valid definition of conceptual art, since a permanent engagement also makes up its theoretical and philosophical complexity, including for example the question of whether there can be art without an object.

In these discussions with the most interesting artists and art theorists alive today, the fiction and ideal of art as political engagement are brought to life. The history of art is a history of struggles around strategies of representation. This makes this film about Conceptual art also a film about filmmaking. Stefan Römer reflects in numerous passages of the film with the well-known German filmmaker Hartmut Bitomsky about the documentary as a genre.

With the documentary essay Conceptual Paradise, Stefan Römer continues his analytic engagement with forms and modes of narrative for artistic documentation. Beside his extensive body of photography, his recent work includes the Super 8 film Corporate Psycho Ambient (235 media Köln on DVD 2004) and The Analysis of Beauty, a short film produced on the basis of single photographic montages (on the DVD Loop Pool by Graw Böckler, commissioned by Internationale Kurzfilmtage Oberhausen 2005). His filmic praxis extends back before the period of video activism in the mid-1990s, including interview videos, for example on the 1993 exhibition Unfair, and numerous multimedia punk performances in the 1980s.

Artists:
Vito Acconci, Richard Artschwager, Art & Language (Michael Baldwin, Mel Ramsden), Michael Asher, John Baldessari, Robert Barry, Hartmut Bitomsky, Mel Bochner, Gregg Bordowitz, Klaus vom Bruch, Daniel Buren, Victor Burgin, Luis Camnitzer, Jan Dibbets, Mark Dion, Sam Durant, Valie EXPORT, Stano Filko, Andrea Fraser, Liam Gillick, Dan Graham, Renée Green, Shilpa Gupta, Hans Haacke, Július Koller, Joseph Kosuth, Sonia Khurana, David Lamelas, Sol LeWitt, Thomas Locher, Marcel Odenbach, Yoko Ono, John Miller, Adrian Piper, Yvonne Rainer, Allen Ruppersberg, Ed Ruscha, Martha Rosler, Allan Sekula, Peter Weibel, Lawrence Weiner, Stephen Willats, Heimo Zobernig, etc.

Curators/Theorists: Alexander Alberro, Benjamin H.D. Buchloh, Sabeth Buchmann, Charles Harrison, Geeta Kapoor, Geert Lovink, Seth Siegelaub, Gregor Stemmrich.