Photography Collection

The Los Angeles County Museum of Art (LACMA) has received a gift from Wallis Annenberg and the Annenberg Foundation in support of photography. A substantial portion of the gift will support the acquisition of The Marjorie and Leonard Vernon Collection, a group of more than 3,500 prints from the nineteenth and twentieth centuries. Highlights, including seminal photographs by Ansel Adams, Julia Margaret Cameron, Edward Steichen, W.H. Fox Talbot, and Edward Weston, will be presented in LACMA’s exhibition, A Story of Photography: The Marjorie and Leonard Vernon Collection, opening October 5 in the Ahmanson Building. Through the largesse of Wallis Annenberg and the Annenberg Foundation, this collection becomes the most significant and valuable gift of photography in the museum’s history. Wallis Annenberg’s tremendous support of LACMA includes not only the acquisition of The Marjorie and Leonard Vernon Collection, but also a contribution to a new study room, opening in early 2011, that will allow for access to the entire photography collection at LACMA. Head of the newly named Wallis Annenberg Photography Department, Charlotte Cotton, said, “This staggering acquisition will enable LACMA to present multiple narratives of nineteenth and twentieth-century photography to its actual and virtual visitors, and to enhance the appreciation of photography, as Marjorie and Leonard always hoped the collection would.”
LACMA CEO and Wallis Annenberg Director, Michael Govan, noted, “Photography claims an ever larger presence within the history of art. Twenty first-century encyclopedic museums like LACMA must have a substantial and growing commitment to photography and media. Wallis Annenberg’s gift makes this possible.” Marjorie and Leonard Vernon, Los Angeles residents now deceased, began to amass their expansive collection in 1976. They cultivated a group of works with global significance that especially highlighted the riches of West Coast photography in the early and mid-twentieth century. The collection grew over the years to include works by 700 photographers, with the earliest photographs dating from the 1840s. The couple were pioneer Los Angeles collectors and supporters of local talent. The collection was acquired from Carol Vernon and Robert Turbin, including a partial gift of a selection of the photographs. Ms. Vernon, daughter of Marjorie and Leonard, noted, “My parents would be pleased to know that the collection they so passionately fostered will remain together in Los Angeles, a city rapidly developing into a photography collecting hub.”
Key works on view in A Story of Photography: The Marjorie and Leonard Vernon Collection include Ansel Adam’s Moonrise, Hernandez (1941), one of his most famous and most difficult photographs to print, as well as Edward Weston’s Nude (1925), from what Weston considered the finest series of nudes he created, and Imogen Cunningham’s Magnolia Blossom (1925), whichexemplifies the photographer’s interest in pattern and especially plant structures. Other iconic works represented are Gustav le Gray’s The Great Wave, Sete (1856-57), a photograph that demonstrates le Gray’s ambition and invention in capturing the rapid movement of the surf at such an early stage of photography’s technical development. Julia Margaret Cameron’s Mrs. Herbert Duckworth (née Julia Jackson) (1867), also in the exhibition, is an example of exquisite framing and masterful lighting with the photographer’s niece, later to become Virginia Woolf’s mother, as the subject. In addition to the exhibition of collection highlights this fall, visitors to LACMA will see key photographs from the collection in permanent galleries alongside American art, modern, and nineteenth-century European collections and in 2011, first-rate study rooms for photography will open in LACMA West where individuals and educational groups will have regular and easy access to the collection.

About the Annenberg Foundation
The Annenberg Foundation is one of the nation’s largest private family foundations. It provides funding and support to nonprofit organizations in the United States and globally. In addition, the Foundation operates a number of initiatives which expand and complement these program areas. The Annenberg Foundation exists to advance the public well-being through improved communication. As the principal means of achieving this goal, the Foundation encourages the development of more effective ways to share ideas and knowledge.